Snare drums are commonly miked with a cardioid or hyper-cardioid dynamic microphone. Some will have controlled hits of the snare. Still others will have it at the center. JavaScript seems to be disabled in your browser. To get better sound, the polarity of the under mic should be reserved relative to the one at the top. For this reason, the 57 is a go-to mic and has featured on … ← Previous Post There are many ways to mic a snare, so getting a great live sound from your snares can be a daunting task. It will sound darker and fuller but less snare-like. Due to the pressure levels produced at the snares, you can have your ear in place of the mic and listen to the sound. How you choose to do it, the mics you select, and how you place them can be determined by several factors. Jazz, for instance, requires a smooth, laid-back sound. It’s important to note that the signal from the bottom head will usually be 180˚ out-of-phase with the mic on top and the overheads, in which case it is necessary to reverse the phase of the bottom mic signal. On its own it does not sound as appealing as you would first think, but once you add in the rest of your microphones you will begin to understand how the drum set takes shape. Additionally, it will make it much trickier to sync the snare to the rest of the drum kit. Jae opts for another timeless Shure dynamic microphone for the snare. If you desire a low-end sound, move the mic from the center of the head. There are different set-ups when it comes to mounting your mics. With the mic placed above the snare and close to the center of the head, it produces a sound that is low, dark, and less snare-like. Most engineers might be reluctant to have two mics, one over and one under. Some people will have a microphone across the top of the snare. This entry was posted on November 12, 2019 by admin. 144 Lafayette Road, North Hampton, NH 03862 | 603-319-8109. You can either use a mic-clip or a stand. If you’re not happy with the sound produced from the initial position, change the angle and the installation of the mic relative to the head. Many engineers only mic the top head of the snare, while others prefer miking the top and bottom heads. The position of the microphone can be limited by the amount of space available between the drums. As you move away from the rim, the sound becomes balanced between the snares and the head. In order to capture the complete snare sound, place the mic a good 4 inches away from the snare to ensure you capture the whole drum sound. Therefore, there isn't a magic placement. The mics can handle the sound without distortion. This will show you that moving the microphone by the slightest margins will change the result of the sound. If you want the microphone closer, you can use a clip and attach it right into the rim of the snare. Listen to the recordings and make any adjustments that you think are necessary. Others will attempt to crack the snare with every hit. The set-up you choose depends on the position in which you want to put your microphone. 136). Some produce deep sound while others produce sharp sound. Snare drums are commonly miked with a cardioid or hyper-cardioid dynamic microphone. For the mic above the snare, when it gets closer to the center of the head, it picks up more low end and less of the sound of the snares. Here are a few tips you can follow to get the desired sound. On the other hand, most mainstream music requires powerful beats. For the right balance, place the dynamic mic 1.5 inches above the head, 2 inches inside the rim of the snare, and at a 25 degrees inclination directed to the center of the head. The type of snare is a significant factor to consider because different sounds can be produced from each class. Common placement is to place the mic slightly above (approximately 1″) and inside the rim of the drum pointing towards the drum head at an angle of approximately 30–60˚ (see Fig. As you move away from the rim, the sound becomes balanced between the snares and the head. Remember, the sound will vary depending on the type of mic and type of drum. Some engineers might argue that mics not sold as snare mics may produce exquisite sounds. Therefore, it is crucial to get the mic in the right place. The SM57 adds just the right amount of low-end weight, while also adding presence and 'crack' to the drum. Tune the snare and make some sample recordings. The placement should depend on what you want to bring out as well as factors such as the style of music and the type of drums. With the mic placed above the snare and close to the center of the head, it produces a sound that is low, dark, and less snare-like. The reason for this is that dynamic mics have better SPL handling capacity. However, this arrangement produces a brilliant sound. Many factors affect the sound produced from a snare. A little of the rattling sound of the wires at the bottom, which gives the drums its name, can add taste to the dominant sound from the top. Common placement is to place the mic slightly above (approximately 1″) and inside the rim of the drum pointing towards the drum head at an angle of approximately 30–60˚ (see Fig. For more information see How To Mic A Drum Kit. You must have JavaScript enabled in your browser to utilize the functionality of this website. Experimentation is the key to getting the sound you want. Once you add plug-ins to the chain, the phase will change. Miking both the top and bottom skins will allow flexibility when mixing. However, mic placement should be at a place where it isn’t likely to receive hits from the drumsticks. The type of snare is a significant factor to consider because different sounds can be produced from each class. A mic stand allows you to have a little bit of distance because of its separate set of equipment. As such, the best mic to use is dynamic. However, matching the mic to the snare produces a cleaner sound. I’ll probably make a couple of adjustments…I’m trying to still get the smack, but I’m also trying [to place the mic so that] it rejects sound from back here,” Jae remarks as he motions to the area in the null spot of the SM57’s pickup pattern. Others will have it pointing towards the rim. 1. The effect of this is that the sound will cause the diaphragms to move in opposite directions. “Nothing special going on here…[Shure] SM57 on the snare. The mic used under can either be balanced or bright. This will mess with the sound. Sign up for newsletter today. Again, fixing mics with EQ or plug-ins may shift the phase. The snare is a pretty loud instrument. Next Post →, Address:Drum Center of Portsmouth144 Lafayette RoadNorth Hampton NH 03862, Hours:Mon - Fri: 11:00AM - 6:00PMSaturday: 10:00AM - 5:00PMSunday: 12:00PM - 4:00PM. The snare would usually be miked like the toms, from the top, three fingers … Each position and angle will bring out specific frequencies while de-emphasizing others. 136). Remember, the snare is an instrument of time, and the phase affects time. You can choose to either have only one microphone at the top or have two mics, one for the top and one for the bottom. It is also common to use the same placement on the bottom skin of the snare drum to pick up more of the sizzle of the snares.