Here, it is unclear whether the speaker is figuratively referring to the burning house—in which case, they are talking figuratively about the precariousness of their situation with their lover—or if they are literally referring to the house in which they meet up to kiss. It recounts the speaker's experiences with a lover and posits the idea that their love was forbidden and had to necessarily result in death and destruction. I proceed through this analysis by first providing a history of the Vietnam War and subsequent critiques of how the … To order a copy for £8.50, go to bookshop.theguardian.com or call 0330 333 6846. "Self-Portrait as Exit Wounds" Summary and Analysis. GradeSaver, "Untitled (Blue, Green, and Brown): oil on canvas: Mark Rothko: 1952", Ocean Vuong and the Influence of Religion, Read the Study Guide for Night Sky with Exit Wounds…, Introduction to Night Sky with Exit Wounds, View the lesson plan for Night Sky with Exit Wounds…. This Study Guide consists of approximately 44 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Night Sky With Exit Wounds. But it has also been hard to ‘see’ this collection because of the accumulated material – interviews, awards, perhaps hype – that already surrounds it in a way that affects none of the other Forward First Collections this year. The poem "Telemachus" is the second poem in Ocean Vuong 's Night Sky with Exit Wounds, and it is the first poem in the first section proper. In it, Ocean Vuong as the speaker addresses himself, consoling himself over his own isolation, sadness, and past misfortune. This conflict that the speaker faces—confronting the father's past in all evil but getting a weight off his own chest in the process—is emphasized by the enjambment which juxtaposes "& stay" with "Don't stay here." Based on context clues throughout the collection and also the close correspondence of many unclear … As we have already seen, this house is symbolic of the futile hope for stability and domestic bliss possessed by the speaker and his lover. The erasure of "nation" in the title—coupled with the speaker's father living in the distance of night—would seem to suggest that the father is representative of both a faded memory and a literal distant place. In the speaker's recollections of their moments with their lover, they know better than to think of the tongue as just a tongue. Unlike "Thanksgiving 2006," however, "Homewrecker" is written in couplets rather than singleton lines, suggesting a sort of mutual entanglement or implication in the events that result from the speaker's love affair. The poem "Homewrecker" is the fourteenth poem in Ocean Vuong 's Night Sky with Exit Wounds, and it is the second poem of the book's second section. The poem's rhythm and punctuation are exceptionally choppy, constantly being interrupted, revised, or revisited through the use of colons, dashes, and ampersands. $16.00. It is, after all, an ampersand which begins the poem and first recounts how the speaker and his lover "danced" and "loved." After publication, the collection received much critical acclaim and in 2017, the book won the prestigious T.S. Copyright © 1999 - 2020 GradeSaver LLC. Not affiliated with Harvard College. It will become obvious why. One other aspect of "Homewrecker" that demands attention is its creation of the house metaphor that, in moments, bleeds into the real house of the lovers' encounters. Ocean Vuong. Based on context clues throughout the collection and also the close correspondence of many unclear speakers in the collection to Ocean Vuong himself, it is most likely that this is because the love being spoken of is homosexual, and between two boys. Night Sky with Exit Wounds study guide contains a biography of Ocean Vuong, literature essays, quiz questions, major themes, characters, and a full summary and analysis. This not only gives the reader the impression of the trauma or negativity associated with this particular love affair, but also cues them from the very start to the idea that will later be expressed explicitly—that is, that the speaker constantly revisits this experience through memory as the years go on: "Because the year is a distance / we've traveled in circles." Night Sky with Exit Wounds. The forces that have been pulling at the speaker the entire poem have been emphasized by the dual nature of the poem's couplets, but in the decisive action to run toward the father, the poetic form breaks, and a definite action has been taken by the final singleton line. It follows the speaker as he drags his drowning and shot father from the ocean, attempts to resuscitate his father, and fails. Just after the stunning image of "the day clos[ing] / into a coffin" when the lovers' lips meet, we are told that "in the museum of the heart / there are two headless people building a burning house." • Night Sky with Exit Wounds by Ocean Vuong is published by Jonathan Cape (£10). I t is tempting to read Ocean Vuong’s poetry with his life story in mind. This section contains 894 words. The Question and Answer section for Night Sky with Exit Wounds is a great Even so, this is precisely how the poem leaves us, with the tongue becoming weapon, then tongue again. Night Sky With Exit Wounds is a 2016 collection of poetry by Vietnamese American poet and essayist Ocean Vuong. He runs "into the night" where his clouded or incomplete picture of his father lives, and in response, his shadow grows "toward [his] father." The poems in Mr. Vuong’s new collection, “Night Sky With Exit Wounds” — and two earlier volumes (“No” and “Burnings”) — possess a tensile precision reminiscent of Emily Dickinson… The "Homewrecker" of the title is neither the speaker or his lover, but rather both of them as their actions implode any chance they have to build a future or "home" together. In any case, the poem itself does not resolve these tensions but rather revels in them: it is both houses being wrecked, and both implications of the shotgun are accepted. Moreover, the trauma left by the father penetrates to the speaker's insides, even the parts that are keeping him alive: "here is your father inside / your lungs." Night Sky With Exit Wounds is terrifying, heartbreaking, surreal, and lyrical–I’m not quite sure how a poet can fit so much humanity into so few words. Night Sky With Exit Wounds - Pages 7-13 Summary & Analysis Ocean Vuong This Study Guide consists of approximately 44 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Night Sky With Exit Wounds. Similar revision and revisitation occurs in the "If not" constructions towards the poem's end and the "Which is to say" constructions even further down the page. Moreover, the seemingly negative reaction that the lover's family has to the love affair represents another kind of homewrecking at work, fueled by the actions of both the speaker and his lover. / Yes, you have a country. GradeSaver "Night Sky with Exit Wounds “Homewrecker” Summary and Analysis". GradeSaver "Night Sky with Exit Wounds “Deto(nation)” Summary and Analysis". The poem "Deto(nation)" is the twenty-seventh poem in Ocean Vuong's Night Sky with Exit Wounds, and it is the fourth poem of the book's third section. At the poem's end, the speaker reflects that he will wear his father's face for the rest of his life and "begin / the faithful work of drowning." The father seems to reach forward in time and dissuade the son from confronting the truth that resides in the light, and the son acquiesces. Eliot Prize. At the poem's conclusion, the speaker continues to reflect on the muddled pains and pleasures of their forbidden love with the subject, saying that they loved each other like "a knife on the tongue turning / into a tongue.".